Introduction of Lost Prestige in Washington DC

Helena History Press LLC is pleased to introduce the publication of

Thursday November 18, 2021
1:00 p.m.
German-American Heritage
Museum of the USA™
719 Sixth Street, NW
Washington, DC 20001

Reservations are Required. Space is limited. Please reserve by email to

Moderator: Jon Greenwald

Jon Greenwald

Served 30 years as a senior U.S. diplomat, focusing on East-West matters, the Middle East, counter-terrorism, the European Union and international law. Upon leaving government, he coordinated foreign policy issues for the 2000 U.S. presidential campaign of Senator Bill Bradley and from 2001 to May 2017 was Vice President in charge of research for the Brussels­ based International Crisis Group, widely regarded as the world’s leading conflict prevention and con flict resolution non-governmental organization.

Author: Geza Jeszenszky

Géza Jeszenszky

Diplomat, Ambassador to the United States and later to Norway and Iceland (2011-2014), Minister of Foreign Affairs in the first freely elected Hungarian government (1990-1994) after the fall of communism. A historian by education, he is a retired Professor of Modern History at Corvinus University of Budapest and was a Fulbright Visiting Professor at the University of California, Santa Barbara.

The book talk will be followed by a reception and book signing.

Event Hosted by Kossuth House

Exhibit of Life and Work of Ines Rieder

SALON REAL / VIRTUAL 9# Salon: Ines Rieder: Her Conceptual World

June 19 – September 02, 2021
Opening Date for the Real & Virtual Projects: June 19, 2021
Talks & Performance: June 19 & 20, 2021
galerie michaela stock, Schleifmühlgasse 18, 1040 Wien
Vienna, Austria

Visualizing a Women’s Studies Archive
The Conceptual World of Ines Rieder

Artists and Performers:
Lilo Nein, Marlene Rodrigues, Elisabeth Schimana, Denise Schellmann, Nicole Suzuki

Ensemble Airborne Extended
Elena Gabbrielli – Flute
Sonja Leipold – Cembalo
Caroline Mayrhofer – Recorder/Paetzold Contrabass Recorder
Tina Žerdin – Harp

Talk / Text / Discussion:
Margit Hauser, Ulrike Lunacek, Nina Schedlmayer, Petra Unger, Magdalena Vukovic

Women’s walk: with Petra Unger in Wieden

Program of Events

Saturday June 19, 2021
5:00 – 10:00 p.m.
Opening of real and virtual exhibition. The artists will be present.
Where: galerie michaela stock, Schleifmühlgasse 18

Sunday June 20, 2021
11:00 a.m. – 5:00 p.m.
11 a.m.: talk by Ulrike Lunacek, followed by conversation and coffee with the artistsand couch chats til 5 p.m.
Where: galerie michaela stock, Schleifmühlgasse 18

Thursday July 08, 2021
6:00 – 8:00 p.m.
LANDSCAPE, Recital by Ensemble Airborne Extended
Elena Gabbrielli – Flute, Sonja Leipold – Cembalo, Caroline Mayrhofer – Recorder / Paetzoldina, Tina Žerdin – Harp, Alisa Kobzar – Sound Engineering
Where: galerie michaela stock & Basement, Schleifmühlgasse 18

Monday July 12, 2021
5:00 – 7:00 p.m.
Women’s Walk with Petra Unger
Walk in memory of Ines Rieder, tracing the history of the lesbian-feminist movement

Saturday August 28, 2021
5:00 – 10:00 p.m.
Finissage and catalogue presentation

The exhibition will be rounded off with talks, which will examine the conceptual world of Ines Rieder. 

Ines Rieder’s Conceptual World

Ines Rieder was a historian, author, feminist and journalist.
Her focus was to reappraise, preserve, and make visible lesbian history.
Ines Rieder was the resident-owner of Schleifmühlgasse 18.
Ines Rieder died unexpectedly in December 2015.

Born in Vienna in 1954, Ines Rieder fought against social injustice and the exploitation of both humans and natural resources, and for the rights of the disadvantaged. And she was a trailblazer who campaigned for research into Austria’s lesbian and gay history. She spent portions of her adult life in Berkeley, San Francisco and Sao Paulo, before returning to live in Vienna.

Among her greatest achievements was her dedication to making lesbian life and its historical background visible, and she emphasized the importance of researching and preserving its history, particularly in open-access archives. Her publications set an example for how to keep that history from being erased and they create opportunities for identification and critical analysis of lesbian personalities. Woman and AIDS, a book she co-authored in 1988, was the first to address that epidemic from a feminist perspective. The primary focus of her later writing and research was on creating biographies of twentieth century lesbians.

After her sudden death, her personal and research papers were transferred to STICHWORT – Archiv der Frauen- und Lesbenbewegung in 2016 for cataloging and conservation. More than 70 archive boxes und 150 database entries comprise this private collection and make possible a comprehensive understanding of her writing and thought process, as well as her often years-long preliminary studies for a project.
Thanks to this archive and the many autobiographical details it has revealed, her conceptual world can now be made visible in a multi-media exhibit. This exhibit is not just the story of an archive of a flesh and blood human, but should show us what happens if an archive, a site that preserves documents and knowledge, is not constantly replenished and thus ceases to exist.

Artist Marlene Rodrigues, Ines Rieder’s life partner for many years, played a major role in creating this exhibit. This is her characterization of Ines’s conceptual world: „Her brain was better than any digital archive. It stored thousands of stories and so much knowledge, so many thoughts and ideas about the life and works of other women. Ines loved life and people, and she enthusiastically absorbed and archived things that change and the stories that go with that.”
Women who knew Ines Rieder or are now involved in her conceptual world, in the archive, have been invited to participate in this exhibit. Here the archive will be re-conceived, expanded and made artistically visible; and in spatial, temporal and social contexts it questions the boundaries of an archive itself, with reference to preservation, access and visibility. The newly created works – whether a poem, musical composition, video, text, performance or drawing – will bring to light the artists personal, internal “conceptual archive”.

Due to the current situation, the exhibit is presented both in a virtual 3D gallery and in the actual exhibition space at Schleifmühlgasse 18 where artworks will be displayed together with some of Ines Rieder`s personal objects representative of her work routine. Talks, concerts and performances will take place in these rooms. Depending on the situation with the epidemic in June 2021, these individual events might also be videotaped without an audience and can be accessed via a virtual stroll between Schleifmühlgasse 18 (the building in which Ines Rieder lived) and the Stichwort Archive at Gusshausstraße 20.

A women’s tour of lesbian-related sites in the neighborhood is planned with Petra Unger.

After the close of the exhibit, all the newly created art works, videos, musical compositions, documents and the virtual exhibit will be transferred to the Stichwort Archive and they will also be accessible in the virtual gallery. In addition, a blog, a multi-page exhibition catalog, posters and video documentation of the talks, concert and performance will accompany the exhibit and can also be called up in the virtual gallery.

Lost Prestige Book Launch Event

on September 22, 2020 at the Petőfi Literary Museum / Petőfi Irodalmi Múzeum, Budapest, Hungary

Sponsored by the Danube Institute and Helena History Press

A panel of historians was brought together to discuss Géza Jeszenszky’s book Lost Prestige: Hungary’s changing image in Britain, 1894 – 1918   

Newly translated in English, and new editions published in Hungarian by Fekete Sas Publishing


  • Moderator: John O’Sullivan, President of the Danube Institute
  • Géza Jeszenszky Historian, Former Hungarian Foreign Minister, Ambassador to the United States, Norway, and Iceland
  • Tibor Frank Professor of History, Department of American Studies Eötvös Loránd University
  • Ágnes Beretzky Associate Professor of History Károli Gáspár University

Book Event: The Story of Sidonie C: with Jane Czyzselska and Stella Duffy

by Gay’s the Word bookshop Friday 20th November, 2020 on Zoom

London’s independent LGBT book specialist, offering a wide choice of gay books and film that goes well beyond the mainstream. Est. 1979, the author Armistead Maupin describes GTW as ‘the fountainhead of queer literature in Britain.

An event inspired by the recently translated book The Story of Sidonie C by Ines Rieder and Diana Voigt (translated by Jill Hannum and Ines Rieder) published by Helena History Press. 

At the age of 17 Margarethe Csonka fell deeply in love with a stunning and notorious upper-class courtesan, attempted suicide when she was rejected and was sent by her parents to Prof. Freud to be “normalized”. The attempted cure was a failure. 

Now finally available in English, this biography of Margarethe Csonka-Trautenegg (1900-1999) offers a fully-rounded picture of a willful and psychologically complex aesthete. As Freud’s never-before-identified “case of female homosexuality”, her analysis continues to spark often heated psychoanalytic debate.

Margarethe’s (“Sidonie’s”) experiences spanned the twentieth century. Jewish by birth, she fled upper-class life in Vienna for Cuba to escape the Nazis, only to return post-war to a “leaden” city and relative poverty. Fleeing again, she took various jobs abroad, and returned permanently only in old age. The interviews and taped oral histories that form the basis of this book were produced during the final five of her years. Well-researched historical background information supplements the story of Margarethe’s journey across time and continents.

photo credit: Gino Sprio

“From my perspective as a queer woman, a writer and a trainee psychotherapist, there is so much about this book that is worth investigating. While Freud was among the first in the medical profession to acknowledge that our gayness was not a sin but a part of our humanity, his work has also been used to brutalise gay people for decades, including notorious concepts like conversion therapy, that the main psychotherapeutic bodies in the UK only condemned in the past decade. Those of us who have lived queer lives throughout these changes know we still have a long way to go, and redressing past ‘histories’ is part of that journey.”
– Stella Duffy 

Stella Duffy is a prolific writer, co-director of Fun Palaces, yoga teacher and trainee existential therapist 


Photo credit: Holly Falconer

“Ever since Freud wrote his paper on a lesbian patient 100 years ago in 1920, the true identity of the unnamed patient remained a mystery. He couldn’t have known that his patient would still desire women into her hundredth year, and that one day, she would get to tell her own story. This is a fascinating and important book – for me particularly so, because of my personal connection to one of the patient’s lovers – but also for anyone interested in queer, psychoanalytic and Jewish history.”
– Jane Czyzselska

Jane Czyzselska is a psychotherapist and writer. She works in private practice and combines her love of writing, psychotherapy and documenting LGBTIQ+ lived experience in contributions to journals and events. She is the former editor of DIVA. https:/


Interview with Lovice Maria Ullein-Reviczky, the translator of 
German War, Russian Peace

The Hungarian Tragedy by Antal Ullein-Reviczky

When was the first time you decided to translate your father’s memoir? And what has influenced your decision?

Lovice Maria Ullein-Reviczky

We have to go a long way back for that one, to when I first met President Árpád Göncz at the Hungarian Embassy in London in 1992. The President was in London together with Foreign Minister, Dr Géza Jeszenszky, and they invited me to return home. It was then that the “homecoming” of my late father, Antal Ullein-Reviczky, was organised, with a Festival in Budapest, the Budapesti Pünkösdi Fesztival, May-June 1993, with President Göncz as Patron.

President Göncz
Budapesti Pünkösdi Fesztival, May-June 1993, with President Göncz

The event attracted hundreds of guests from all over the world, with many international investors visiting Hungary for the first time. President Göncz welcomed the guests with these words:

“I am very pleased to welcome you among the patrons of the 1993 Budapest Whitsun Festival. When I accepted the patronage of this Festival and of the Antal Ullein-Reviczky Award, I did this not only to pay tribute to someone who struggled for Hungarian independence, but also in the hope of creating new traditions adding to the glamour of our city and broadening the scope of its cultural offer. I trust that all of us will find the programs of this and future festivals satisfactory.”

The first edition of the Hungarian translation of Antal Ullein-Reviczky’s memoirs, Német háború – orosz béke, hardcover souvenir edition, was presented to President Göncz and to other members of the Hungarian Government who were on the podium. It then became clear to me that this very important story deserved an English translation.

Having such a close relationship to the author of the memoir is a very unique situation for a translator. Does it pose special challenges when carrying out the translation, or did it make it easier to find the right style and voice in the English language version?

It was indeed a unique situation, you could call it an example of the bond between father and daughter. I should like to mention that this is not only the rendering of text from French to English one word at a time, unexpectedly I also became the editor when Prof. Dr. Tibor Frank handed me this challenging task. I supplemented the text with additional material from the URA archive, footnotes, photographs and documents, so it is a new international version of the original 1947 French edition, “Guerre allemande-paix russe”. I am now considering a German edition “Deutscher krieg – russischer frieden”.

It has been almost 5 years since the English version was published. Can you tell us about the reception of the book? What kind of feedback have you received?

German War Russian Peace

Well, the first thing people notice is the iconic book cover, everyone loves the photograph of father Telling a story to little Lovice about bad people who invaded Hungary (in his own handwriting on the original photograph).

The feedback has been five stars from all those I know as well as on reviews and from leading academics. Let me quote a few:

“One of the best, if not the best, historical memoir of Hungary in the disastrous years of 1938 to 1945 now published for the first time in the English language.”

Amazon reader’s review

“The Memoirs has been printed in three languages. This review is based on the most recent English edition, the translated by Ullein-Reviczky’s daughter Lovice Maria Ullein-Reviczky, and with a foreword by Historian Tibor Frank who specializes in Hungarian political history and Hungarian-English relations. The memoir has been supplemented with additional documents and photographs.”

Journal of Southeast European Studies

“The new English edition of “German War-Russian Peace” the memoir of Hungarian diplomat Antal Ullein-Reviczky is allowing so many more readers to learn about Hungary during the fateful years that led to its demise as a free country after WWII. Deeply anti-fascist, Antal Ullein-Reviczky was a witness to history and as such his observations are extremely valuable for all those who are interested in Hungary. The book is highly readable and provides information that will enhance our knowledge of a period historians should study with an open mind. Antal Ullein-Reviczky was an outstanding individual with sharp insight combined with a strong sense of fairness, compassion and patriotism which clearly defines him as someone who tried to do the right thing against all odds.”

Amazon reader’s review

“This is primary source material, in a highly readable form, with a very attractive presentation. It will interest historians and lay readers of history. It will especially interest those curious about the efforts made by the Hungarian government when it was trying to avoid the disaster the country was plummeting toward during WW II. It happened anyway, but not for lack of trying…”

Amazon reader’s review

“A brilliant historical document. Superb quality presentation. Highly recommended. German War-Russian Peace is a fresh, intimate and revealing insight into what went on politically in Europe before and during the Second World War. A must for experts and armchair historians alike, this personal and honest reminiscence brings a great hero to light, and offers us food for thought about political systems past and future.”

Amazon reader’s review

Please tell us how as more archival material has become available your father’s role in the events of WWII has changed or expanded.

Magyar Front Cover
Magyar Front, Fall 2010

Enormously, so much so that the archival material would fill volumes. Today Ullein-Reviczky’s reputation is unassailable, near sacred and almost inviolable, a Hungarian hero who deserves the name. His standing in post-Communist Hungary is arguably higher than it was during WWII when he struggled to save his war-battered nation. As Mother writes in her diary: Antal risked his life every day. Dr. Antal Ullein-Reviczky was also a statesman-soldier, as portrayed by Peter Czink in MAGYAR FRONT. To quote Dr. József Antall, the first freely elected Prime Minister of Hungary after the fall of Communism:

“Antal Ullein-Reviczky was brave enough to take up a stand against Hitler at a time when he risked his life by doing so, today we are aware of how many people Antal Ullein-Reviczky negotiated with at home and abroad in his efforts to secure enough help from Western powers for Hungary to be able to withdraw from the war. He was a political realist, a democratic figure whose life and work can serve as an example to all of us.”

The Raoul Wallenberg story was one that changed dramatically when it was revealed how close the link was between Wallenberg and Ullein-Reviczky (see Raoul Wallenberg Foundation: NOT A ‘NOBODY’: CHOICE OF RAOUL WALLENBERG IN 1944 NOT ACCIDENTAL 19-03-2012, by Susanne Berger, Dr. Vadim Birstein). 

Every day something new surfaces. I just received this text from Susan Berger in February 2019: The new findings underscore your father’s central role in Stockholm – both with regards to Anglo-American contacts regarding separate peace negotiations, but aiding Swedish intelligence efforts in Hungary, to aid the resistance and with the overarching aim of countering the Soviet Union. The fact that all this occurred much earlier than previously thought raises important questions also about Raoul Wallenberg’s contacts with your father in Stockholm and Raoul’s ties to Swedish intelligence, they confirm our previous discoveries which is crucial. So, your father’s role in Stockholm attains even greater significance than previously known.

As David Amante writes:

“Antal Ullein-Reviczky is the fascinating man who guides Raoul Wallenberg behind the scenes in his rescue actions, in agreement with international authorities.” (Point of No Return Wallenberg, Milan, 2014)

The one very interesting thing is that your father mentions in his memoir that he first met U.S. intelligence representatives in Stockholm on December 1, 1944. In fact, he really hit the ground running, with first meetings already on October 23, 1944. This, too, is significant, because his arrival coincided with the appointment of Carl Bonde as head of Swedish Counterintelligence. And from that moment on, the preparations for a meaningful Hungarian intelligence operation was in full swing. We knew that discussions were under way, but not that there was such a coordinated, intense effort under way already in October 1943.

Please tell us about the Activities of the URA Foundation.

The Ullein-Reviczky Foundation was created to keep alive my father’s memory. He was a renowned Hungarian diplomat and academic, who did everything in his power during difficult times to combat Nazi infiltration of his native country. The Foundation dedicates itself to maintaining the positive moral values of my father, who in difficult times defended the inalienable fundamental rights to which a person is inherently entitled as a human being. As for its activities, where can I start? The foundation maintains and preserves the Antal Ullein-Reviczky Historical Archive; helps to further historical research based on the Ullein-Reviczky Archive; has implemented the Antal Ullein-Reviczky Award and Scholarship programme; manages the Antal Ullein-Reviczky Centre; provides an intellectual platform where fellow humans can share information on social,economic, cultural and political issues on a regular basis; organizes meetings and other events with leading national and international representatives in the fields of politics, diplomacy, economy, society, science, culture and religion; supports Hungary by keeping up its finest and most enduring traditions and making new ones.

Introduction of first English Edition of Fateful Years

A January 18, 2019 book launch for the first English edition of Fateful Years, Vilmos Nagybaczoni Nagy’s WWII memoir was held at the Petőfi Literary Museum in Budapest. This event was jointly sponsored by Helena History Press LLC and the Danube Institute in Budapest. 

Program participants were:
Katalin Kádár Lynn, publisher and editor in chief of Helena History Press A roundtable discussion on the newly released volume was moderated by George Schöpflin, Hungarian member of European Parliament, participating were: John O’Sullivan, president of the Danube Institute, Sándor Szakály, President of the Veritas Research Institute for History, and Thomas Cooper, the translator of the memoir from Hungarian to English. 

Attending the reception were various dignitaries and scholars including the grandson of General Nagy, Dr. Béla Nagybaczoni and his three children, the great grandchildren of General Nagy. 

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